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Doctor Who - New Beginnings (The Keeper of Traken / Logopolis / Castrovalva)
 
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Keeper of the Traken
The Keeper of Traken was the beginning of the end for Tom Baker's tenure as the venerable TV sci-fi hero Doctor Who. By the end of the next serial, Logopolis, Baker had been replaced by the Fifth Doctor, Peter Davidson (whose debut, Castrovalva, is also available on DVD, as is Logopolis; both, along with Keeper of Traken, can be found in a three-disc boxed set titled New Beginnings). But fans got one more witty and suspenseful dose of Baker's Doctor with this story, which sends the Time Lord and companion Adric to the planet Traken, a peaceful haven ruled by the all-wise Keeper for a thousand years. The Keeper feels his reign is coming to an end, and with it, the rise of evil from within Traken's governing council itself. The Doctor, however, recognizes the presence of a old and familiar foe at the heart of the mystery--one he thought had been vanquished long ago.

Well-played by the cast (especially Baker, who is given a wealth of amusing lines), and an excellent launching pad for new companion Nyssa (Sarah Sutton), The Keeper of Traken is both a fine addition to the Baker canon and an enjoyable serial for new and old Who fans alike. Extras on the single disc include commentary by Sutton, actors Matthew Waterhouse (Adric) and Anthony Ainley (Consul Tremas), and writer Johnny Byrne; a 30-minute documentary on the serial, which includes interviews with most of the cast and production team; a clip of Sutton on the BBC series Swap Shop; and a featurette on the true identity of the evil plaguing Traken. The by-now-standard photo gallery, text-only commentary track, and PDF of the Doctor Who Annual (here from 1982), Radio Times listings, and BBC sales literature rounds out the crowd-pleasing supplements. --Paul Gaita

Logopolis
After seven years as the Doctor on England's long-running science fiction series Doctor Who, actor Tom Baker hung up his scarf and retired from the role in this four-part serial from 1981. )(The second in a three-part story arc focused around the Doctor's longtime adversary The Master (Anthony Ainley), (The other parts of the arc, Castrovalva and The Keeper of Traken, are also available on DVD as single discs and in a three-disc set titled New Beginnings) Logopolis finds the Time Lord in a contemplative mood as he attempts to repair the TARDIS' broken chameleon circuit, which has left the shape-shifting vehicle in the form of a police box. The Doctor and Adric (Matthew Waterhouse) travel to Logopolis, a planet run by mathematical geniuses, but encounter the Master as he plots to steal the secret of the planet's massive radio telescope. His scheme accidentally releases a wave of entropy that threatens to destroy the universe, and the! Doctor and the Master must work together to prevent the end of existence itself. A sense of finality pervades Logopolis, and certainly for Baker fans, it does mark the end of the actor's run in the role, as well as a period of considerable popularity for the series. Baker's replacement, Peter Davidson, faced an uphill battle when he assumed the Doctor's mantle, and for many fans, his arrival signaled a downward turn for the program that was not reversed until its revival in 2005. The story itself is an intriguing one, and well played by its cast, which included newcomer Janet Fielding as airline stewardess Tegan Jovanka, who became one of the Doctor's companions for several seasons. Extras on the disc include commentary on all four episodes by Baker and Fielding, as well as writer Christopher Bidmead; a trio of BBC news program interviews with Baker on his departure and Davidson on his assumption of the role; a terrific 50-minute featurette titled "A New Body At Las! t," which interviews many of the principal cast and crew on the transi tion from Baker to Davidson; and the usual PDF of printed material from The Doctor Who Annual and Radio Times, as well as the excellent text-only commentary and isolated music tracks fans have come to expect from the discs. -- Paul Gaita

Castrovalva
The four-episode serial Castrovalva not only kicked off the 19th season of Doctor Who, but introduced the fifth incarnation of the venerable British sci-fi hero in the younger (and blonder) form of Peter Davidson, who replaced fan favorite Tom Baker at the end of the previous season. Castrovalva picks up where the Baker finale, Logopolis (also available on DVD), left off, with the Doctor in a weakened state after his transformation, and in need of rest and recuperation. His companions set a course for the planet of Castrovalva, but all is not as it seems on the peaceful and educated world: Could the Doctor's old nemesis The Master be setting a trap for the ailing Time Lord? It's a strong debut for Davidson, who quickly sets his own path as the Doctor (while referencing his predecessor's traits and quirks in several clever bits), and the single disc DVD's extras do an excellent job of covering the transitional phase that the cast and crew underwent during the serial's production. Davidson is front and center on the commentary tracks for all four episodes, and he's joined by castmate Janet Fielding (Tegan), director Fiona Cumming, and writer Christopher H. Bidmead. And he's the focus of two featurettes: "Being Doctor Who," which covers his tenure as the Doctor, and "The Crowded TARDIS," in which he joins Baker, Fielding, and Sarah Sutton (Nyssa) to discuss the Doctor's multiple companions in the Davidson years. Cumming is also profiled in a short feature on directing the episode, and the BBC vaults yield interviews with Davidson from the period on the children's shows Blue Peter and Swap Shop. A pair of deleted scenes, continuity announcements, a photo gallery, the usual above-par text commentary, a PDF of printed material on the show, and a music video for a remix of Peter Howell's theme music round out the supplements. -- Paul Gaita

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A Turning Point
 
Review Date: February 27, 2007
Reviewer: August F. Hutchins, Mt. View, Ca USA
By the time John Nathan-Turner became producer of Doctor Who, it had been running for the better part of 20 years! He felt that the show was starting to become dull and dated. Thus making significant changes, and lending a brand new lease of life into the series.

This boxset consists of the last of the alterations made to the show; adding familiar characters from the show's past (i.e. the Master) and the transition from Tom Baker to Peter Davison.

The stories included are: The Keeper Of Traken, by Johnny Bryne; Logopolis, by Christopher Bidmead; and Castrovalva, also by Christopher Bidmead.

The DVD includes Tom Baker discussing his retiring from the part and has Peter Davison remembering his
time as the Doctor.

Also includes a unique commentary session featuring the late Anthony Ainley.
A whole new beginning
 
Review Date: June 12, 2007
Reviewer: JKO, New York, NY USA
Three stories from a very turbulent era of the classic BBC series Doctor Who have hit the shelves, either in a box set or as three individual discs - a much more expensive option! Grouped together under the title "New Beginnings" or alternatively "The Return of The Master", these three stories very much make up the `end of an era' and a fresh start for the errant Time Lord.

Tom Baker had been playing the part of the Doctor since 1974 and although it was by now very accepted for different actors to play the part, he had become so entrenched in the role that the public very much saw him as "The" Doctor and for a whole generation of younger viewers, he was the "Only" Doctor. Behind the scenes, Baker had become more and more difficult to work with and changes in the production team at the start of season 18 had irritated him even further. His annual threat to leave the show was presented in due course and this time - it was accepted! New producer John Nathan-Turner was eager to stamp his own identity on the show and recasting the central role was one that certainly excited him. Although he briefly considered Richard Griffiths for the part, his one and only choice was the much younger actor Peter Davison, who was already very well known to TV viewers from his work on All Creatures Great and Small.

By the time The Keeper of Traken, the penultimate story of season 18, was in production, Baker's departure had been announced and plans were well under way to ease the transition to the new Doctor, to be played by 29-years-old Peter Davison, the youngest actor yet to take on the part. In order to make the change over smooth and take the opportunity to halt the declining ratings and re-launch the almost eighteen-years-old show, Nathan-Turner made many sweeping changes to the look of the programme as well as many cast changes in addition to the role of the Doctor. At the start of the season, new music, opening titles, costuming and design elements had given the show a very much needed lift although in retrospect, they may not all have been particularly successful. Despite the departing lead actor, he also made many other cast changes, including dropping the Doctor's companion Romana (played by Baker's wife Lalla Ward) and his robot dog K9. Three new companions were introduced throughout the season, with Adric, a teenage boy played by Matthew Waterhouse arriving in story three and Nyssa, a teenage girl played by Sarah Sutton, appearing first in The Keeper of Traken. Tegan Jovanka, an Australian air hostess played by Janet Fielding came on board in the last story of the season, the middle segment of this set, Logopolis, the last of Baker's tenure. As if all these changes weren't enough, The Master, the Doctor's fellow Time Lord and bitterest enemy, was resurrected after a few years out of the show, played by both Geoffrey Beevers and Anthony Ainley. Finally, with another needed revamp of the graphics and a move to a new day and time slot, plus the scheduling two episodes per week, Peter Davison takes on the role in the third of the set, Castrovalva. So many changes...

The three stories themselves stand up quite well, although all are rather indicative of the Nathan-Turner approach to the show - hugely complicated story lines that often don't make much sense before repeated viewing. Perhaps script editor Christopher H. Bidmead, who also penned the scripts for both Logopolis and Castrovalva, is more at fault here, but scripting and story telling is often cited as the key weakness in Nathan-Turner's ability. Indeed, the wonderful extras included on these three discs feature many interviews with the cast and writers, most notably Tom Baker and Peter Davison, who are nearly all somewhat critical of Nathan-Turner and his approach to the show. Costuming seems to be something that irritates both the lead actors, but the ever changing cast list and the expansion of the companions is something that clearly neither was happy with, as the writers and Directors involved echo. The "in-jokes" that were beginning to pepper the scripts is also clearly an irritant to all but the producer.

The disc's extras are really phenomenal and even if these stories aren't your favorite, the extras will make it all worthwhile. Apart from many, many new and extremely frank interviews, there are all sorts of news and archive shows to enjoy, including many features on Davison's winning of the role. Each disc has its own commentary, The Keeper of Traken featuring the late Anthony Ainley, who thus marks his one and only commentary contribution. For me, Ainley is one of the problems that overshadows these three stories. He starts off in the role of Tremas; a character that is taken over by The Master at the end of the Traken adventure, going on to appear as The Master in the next two stories and throughout the subsequent nine years of the original show. A hammier actor is unimaginable. His pantomime-like performance did a lot to destroy the integrity of the character. Geoffrey Beevers, who plays The Master in the majority of the Traken story would have made a much, much more sinister and believable character and it's such a shame he wasn't offered (or at least didn't accept) the role full time. One extremely annoying feature of the Traken commentary is that Ainley and Matthew Waterhouse keep repeating lines from the show, which actually makes it sound like there's a time delay echo on the disc. It takes some getting used to. Sarah Sutton and writer Johnny Byrne add their thoughts to the Traken commentary. Tom Baker and Janet Fielding (together with Christopher H. Bidmead) provide the Logopolis commentary and alas, Baker is almost silent throughout the recording. He contributes very little indeed. Peter Davison joins Fielding and director Fiona Cumming for Castrovalva.

The new dawn for the show really did arrive with Davison. Although I'm no fan of his portrayal of The Doctor, the revamp came at the right time and salvaged an otherwise dying show, giving it a complete new lease of life. The move away from Saturday tea-time to a later weeknight slot proved a hit and the ratings improved dramatically. What Baker, Davison, Bidmead, director John Black and others in the accompanying documentaries have to say about the new (and passing) era of the show is fascinating. The honesty from Baker is extremely revealing and almost makes this set an invaluable addition to the Doctor Who library on its own.
Every new begining comes from some other begining's end
 
Review Date: September 28, 2007
Reviewer: C. R. Swanson, Phoenix
Ah, regeneration. The word means many things depending on the context, but in "Doctor Who" it really only means one thing: one actor quits and another starts.

There's been ten cannonical Doctors (not counting Peter Cushing from The Doctor Who Collection, the Valyard, the Shakala Doctor or the various Doctors present in Doctor Who - The Curse of Fatal Death). They've all had their various strengths. Some we saw for far fewer stories than we would've liked (Colin Baker, Paul McGann and Christopher Eccleston leap to mind), while some might feel that certain other ones overstayed their welcome.

Like many people, particularly those of us in America, my introduction to the series came with Tom Baker. There's no doubt that in many ways he was the most charasmatic and accessible of the "classic" Doctors. He is also, to date, the longest lasting of the Doctors, having a seven year run in the TARDIS.

Sadly, all good things must end, and the 4th Doctor's run comes to an end in this DVD series. "Keeper of Traken" sets up the events of "Logopolis" which end with us getting a brand-new Doctor, Peter Davidson. His adventures begin in earnest with "Castrovalva".

Also of note is the fact that the Master, the Doctor's "best enemy", and gone from the scene for quite a while, makes a major return in these episodes, which also introduce Teagan and Nyssa while firming up the character of Adric (speaking of firm... is it just me, or in the scenes where the Master has him in his little web, does Adric seem to be enjoying himself just a little too much? Like as in, "Is that sonic-screwdriver in your pocket or...?" Probably just my imagination. Still, I can dream). Adric was one of the first male TV characters I developed a major crush on in my teen years, along with Wesley Crusher. Still, the less said about both, the better.

The DVDs are well done as always, featuring a great deal of commentary on every episode (tragicaly, we can hear that Anthony Ainley was clearly on his last legs when he did his commentary. He sounds not like he's at Death's door but has, to steal from Pratchett, stepped into the foyer and is admiring the carpet and hat stand). The amount of extras on these DVDs are the sort of thing I wish more TV series would incorporate (I'm looking at YOU, Star Trek DVDs!).

All in all, this is a must-own if you're a fan of the series. Even if you've never watched "Doctor Who" before, but want a good place to start, this will serve your needs.
a GREAT, GREAT regeneration set...you get the Return of the Master and the Return of the Doctor in the same set!
 
Review Date: March 6, 2007
Reviewer: Kevin J. Loria, New Orleans, LA USA
For 3 story-arcs of classic Dr. Who, this is a really good price for a set, especially one including Logopolis and Castrovalva (both of which I've been tempted to by on VHS just to see them again). These are part of the iconic Tom Baker's run as the 4th Doctor and the end of his final season in the role. K9 is gone, as is Romana. He wears his plum digs that suit the somber mood of his last 2 stories: The Keeper Of Traken, Logopolis, and Castrovalva.

Disc ONE: The set opens with the Keeper of Traken which reintroduces the Master (absent since a showdown with the Doctor in Deadly Assassin). At the end of his 13th incarnation (12th regeneration) he stays in the shadows (so to speak) for much of the 1st half of this one, but by the end he is literally a new man.

This one introduces Nyssa, eventually to become the new Zoƫ, brainy-girl on board the TARDIS, while Adric, equally brainy but not really sensible is also on board for all 3 of these (when will they learn that the super-genius kid is an annoying archetype). The plot of this one is shaky but necessary for the reoccurring role the Master is to have in the 5th Doctors run.

Disc TWO: Next is Logopolis. If Keeper of Traken is somber, then Logopolis is literally the wake before the funeral. The Doctor is more visable distressed over leaving Romana in E-space (still waiting for the DVD E-space 3 set). His plans to fix the long broken TARDIS chameleon circuit on Logopolis. Before doing so, he must find a real police call-box to measure, but in doing so inadvertently lands around the "new Master's" TARDIS, which ultimately leads to the death of the Doctor (well mortal wounding anyway). Loads of moody shots, in and out of the TARDIS, lots of quirky labyrinthine scenes with future companion Tegan lost onboard. The new Master is terrifically, theatrically hammy and plays nicely off Baker's manic energy (although substantially drained by his standards, in character the Doctor seems to have stoically accepted his impending death as Baker has stoically accepts his retirement.) He leaves at the top of his game here, a great, great story.

Disc Three: Castrovalva introduces the 5th, and youngest Doctor (at the time I'm not sure about Tennant's age). Peter Davidson, brings the character away from the 4th Doctor's style and borrows heavily from the older Doctors ( in spite of his youth, he plays it more like the stogy old original incarnation played by William Hartnell.) When filming, the shooting order was altered so that, although this is the first of the new Doctor's episodes, it was shot after Four to Doomsday (story 2 of the season). So Davidson knew where his regeneration addled transformation would end up, because he had already filmed as the wholly recuperated Doctor. But the process is a hard one, Castrovalva opens immediately after the Doctor's regeneration, as his companions try to get him to safety, narrowly escaping the Master, or so it seems.
While the Doctor struggles to retain/ regain his wits (see brilliant scenes with the Doctor struggling not to lose his way by unraveling the 4th Doctor's iconic scarf).
The crew falls deeper into the Master's web of traps as the arrive on Castrovalva, appropriately named after the M.C. Escher work. A great start for the new Doctor.

New Beginnings: Drinking Games

Drink whenever you hear the "Cloister Bell" (the ringing of which means emanate danger or drunkenness)

Drink when the MASTER watches / rebukes the Doctor from the gloomy safety of his TARDIS console room.

Drink whenever one actor or character replaces another via regeneration / body snatching / disguise or miscasting.

Drink whenever someone misplaces the Doctor (including himself).

Drink whenever anyone declares: "But, the Doctor's in there!"

Drink when any of the TARDIS crew complains. This is the one that pays off!

"A new body... at last!"
 
Review Date: June 10, 2007
Reviewer: Crazy Fox, Chicago, IL USA
It will be hard for Doctor Who fans not to heed the call of this excellent DVD set, for the Time Lords, they are a-changin'. Indeed, the three storylines included here work as a whole to mark a pivotal shift in the show's development in the early 1980's. True, each story is to some degree self-contained and episodic in terms of location, plot, and concept, and yet all three flow together into a loosely-structured trilogy of sorts thematically unified by regeneration and renewal--first, ominously enough, of evil, as the Doctor's fellow Time Lord and arch-nemesis the Master cheats death and decay by using an innocent man's life force to rejuvenate himself (henceforth he'll become a regular villain in the series for years). But then even more significantly, the Doctor himself is fatally injured in the Master's schemes and must regenerate, thus marking the end of Tom Baker's long, much-loved, and virtually iconic tenure in the role and the beginning of Peter Davison's time at the Tardis console--for some, a key moment in the show's downfall, for others the start of a younger, fresher and more serious interpretation of the Doctor; opinions tend to divide sharply, which means this DVD set gets the added spice of a touch of controversy. And as if the Doctor and the Master weren't enough, there are other new beginnings here, too. Romana and K9 are gone. A new group of traveling companions gradually join the Doctor throughout this loose trilogy--as many as three in fact, which actually replaces the general formula (since 1970) of a single female companion with a demographic batch closer to the companion crews typical of the 1960's. Perhaps a bit crowded, but characters we'll see regularly for quite a while are introduced right here.

All of this shuffling about would be pointless though if these weren't fine stories in their own right, and they are, each a well-written gem in its own way. "The Keeper of Traken" is a classic tale of deceitful serpents in paradisiacal gardens, complete with an imaginative vision of an alien society and a compelling blend of fantasy and sci-fi elements (plus some of the most fabulous costumes and sets you'll ever see on "Doctor Who"). "Logopolis" successfully incorporates sophisticated mathematical and astrophysical concepts into a suspenseful tale of life and death; a riveting adventure full of foreboding, and yet this may well be "Doctor Who" at its most cerebral and conceptual in terms of science-fiction. And "Castrovalva" perhaps gets a little too abstract and brainy for its own good, but the surreal premise and M.C. Escher imagery is quite intriguing altogether and the attempt to realistically suggest the physiological shock of regeneration an interesting and risky plot device. In short, these are three fine "Doctor Who" storylines in their own right, and as a trilogy they represent a momentous shift in this long-running program. And they're all here, complete with insightful extras and nicely packaged in one spiffy box. There's a lot of uncertainty in the universe but no guesswork when it comes to this very excellent and enjoyable DVD set.

P.S. The three storylines in this DVD set all make up one loosely-linked trilogy, as mentioned, and they're probably best watched in that manner. For that reason, and in terms of economics and convenience, this box set is really the way to go, especially if you're a fervent Doctor Who fan. However, if you are exclusively interested only in a single DVD from this set, they are sold individually as well:
1. Doctor Who - Keeper of Traken (Episode 115)
2. Doctor Who - Logopolis (Episode 116)
3. Doctor Who - Castrovalva (Episode 117)

Amazon.com Price: $89.95 (as of 2010-09-05 17:39:58 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

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Doctor Who Electronic Flight Control TARDIS Vehicle
 
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Amazon.com Price: $11.99 (as of 2010-09-05 17:40:01 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

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Doctor Who: Pyramids of Mars (Story 82)
 
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The popularity of this Tom Baker-era Doctor Who serial among fans led directly to its release on DVD (it ranked first in a Doctor Who magazine poll about stories to be released on disc), and once again, the WB/BBC DVD doesn't disappoint with a sparkling presentation and a wealth of supplemental features. The third serial in the thirteenth season (1975-1976) finds the Doctor and Sarah Jane (Elisabeth Sladen) on Earth in 1911, where an Egyptologist has come under the power of Sutekh, a powerful alien bent on unleashing worldwide destruction. The much-discussed "Gothic" sensibilities that producer Phillip Hinchcliffe and writer Robert Holmes brought to the series during this season are largely in effect here--mummies and sinister henchmen mix freely with robots and alien invaders--as are the quality of writing and acting that helped Doctor Who spike some of its highest ratings to date during this season. One of the series' strongest and most entertaining stories, Pyramids of Mars is undoubtedly a must-have for Baker and Who fans. --Paul Gaita

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Amazon.com Price: $13.31 (as of 2010-09-05 13:01:46 GMT) Product prices and availability are accurate as of the date/time indicated and are subject to change. Any price and availability information displayed on Amazon.com at the time of purchase will apply to the purchase of this product.

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Doctor Who: Robot (Story 75)
 
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Tom Baker's reign as the venerable British science fiction hero Doctor Who began with this four-part serial from 1974-75; it also marked the dawn of what was arguably the most popular period in the program's history. Written by Terrance Dicks, Robot also introduces the late Ian Marter as the Doctor's companion-to-be Harry Sullivan, a UNIT medic who is pulled into the adventure after treating the Doctor, who is recovering from his fourth regeneration (third Doctor Jon Pertwee appears briefly at the beginning of the first episode). Meanwhile, Sarah Jane (Elisabeth Sladen) and the Brigadier (Nicholas Courtney) investigate a series of robberies involving a top secret weapons project that seem to have been carried out not by humans, but a colossal object. Could the mysterious "Think Tank" and its robotics division be involved? Robot is a terrific launching point for "The Baker Years"--the star himself is charming and amusing, and the story itself is brisk, involving, and quite suspenseful at times. In short, it's an excellent point for Who newcomers to introduce themselves to this most well-loved of Doctors.

The single-disc DVD includes commentary by Baker, Sladen, Dicks, and producer Barry Letts, as well as a 40-minute documentary titled "Are Friends Electric?" which recalls the production of Baker's first serial via interviews with the cast and production team, including producer Phillip Hinchcliffe and director Christopher Barry. "The Tunnel Effect" is a 13-minute interview with graphic designer Bernard Lodge on how he created the memorable "infinite tunnel" titles for the Baker stories, and there's a clip from the U.K. children's program Blue Peter, which was broadcast from the set of Robot. The by-now standard photo gallery, production notes, and a PDF of the Radio Times listings round out the extras. --Paul Gaita

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"There's no point in being grown up if you can't be childish sometimes."
 
Review Date: August 26, 2007
Reviewer: Crazy Fox, Chicago, IL USA
Among hundreds of fine "Doctor Who" storylines spanning decades, "Robot" will always hold a special place in my heart. Discovering this show as a younger teenager and remaining an avid fan throughout the days of my youth, I watched again and again as the saga of the Doctor started right here with an earthbound adventure involving a ruthlessly manipulated and rather tragic robot almost straight out of the novels of Asimov I was then reading. On and on the tales would unfold over the weeks as the Doctor faced other perhaps more exotic foes, finally defending his homeworld from a Sontaran takeover, and then it all started back again with "Robot"--but then kept going this time further on past "the Invasion of Time" until the fourth Doctor's curtain call in "Logopolis" and then sure enough "Robot" again. Third time around my local PBS station had enlarged upon its licenses and so continued on past "Logopolis" with the fifth and sixth Doctors and then all the way back to the third (and then came "Robot" yet again, this time in a new light and context), and my knowledge as a dedicated fan had likewise expanded and so I gradually became aware of my favorite show's pre-1974 history. But for the longest time Tom Baker was THE doctor and it all started here with "Robot"--and for an even longer time it was if nothing else the originary point of "Doctor Who" as I knew it.

So it's almost futile to evaluate this story in the cold withering light of adult reason. Watching it just brings out the kid in me. Okay, it's not perfect, I admit. It follows the traces of some of its influences a wee bit too closely while underexploiting its one rather original idea, a scientific society bent on forcibly ordering our lives according to their ideals of reason, something along the lines of Plato's philosopher kings from "The Republic" but brought up to the Cold War present of the story. Upon reflection, too, their actions throughout the plotline don't quite make good sense: using a robot, the very pinnacle of human technological development, to steal the schematics and parts to make a disintegrator gun (instead of just using their scientific know-how to make their own) and then using this gun merely to crack open a safe and steal the computer codes for the world's nukes (couldn't they just hack into the world's defense systems a la "Wargames"?): Each segment of their plan is implausibly a major case of overkill as well as a showcase of inefficiency. Besides that, "Robot" has the distinguished honor of including not one but two of the most pitifully unconvincing special effects in Doctor Who history (and as any dedicated fan'll know, that's saying a lot), in both cases to realize scenes that ultimately could've been excised from the plot without harming it, too. And so on and so forth.

But you know what? Nyah nyah, so what! I'm giving it five stars anyway, so there! Which isn't completely arbitrary, after all, it must be said. "Robot" also has a lot of very good strong points. It's a well-paced, solid science fiction adventure in many ways, with moments of real suspense and any number of clever touches: the first-person perspective as you witness the robot's crimes through his own eyes/monitors/whatnot are particularly effective, and this eponymous robot is very memorable as a tortured and vulnerable soul in a metallic frame too powerful for its own good. His relationship with the Doctor's companion Sarah Jane is moving and handled just about right throughout, the pathos lingering in your mind long after the DVD is back in its case. Many of the supporting cast members are quite memorable as well, especially the robot's inventor, Professor Kettlewell, a character who seems to have walked straight out of the math & science department of any university I've ever known of.

Most memorable of all though is of course Tom Baker as the Doctor. As John Liosatos has so perceptively pointed out in another review here, "Robot" is very much a story in the style and mood of Baker's predecessor, a transition of sorts. And yet it's disarming--almost eerie--how very much Tom Baker's take on the character of the fourth Doctor bursts forth in full form, in all its wacky and eccentric glory, right here even in the first of the story's four episodes. Some actors take a while to ease into this role, some longer than others, and we always let them off the hook in this regard if their characters aren't so well defined at first. But the very first scene you see the fourth Doctor conscious, it's already undeniably him and no other. And quite simply, he's superb, and it's easy to see why he was voted most popular Doctor year after year, ceding that honor only recently to the Doctor's current tenth incarnation fresher in the memories of the show's newfound fans. Well, since my early days when he was the ONLY Doctor a lot has changed, I've seen nine other fine actors play the role before and after in their own magnificent fashions and I've thought highly of them all, and yet when it comes right down to it I have to admit that in this household anyway the crazy one with the trademark scarf whom my Dad used to call "Harpo Marx in Space" is still tops--and "Robot" still marks his illustrious entrance.
Hannibal. No. Alexander the Great?
 
Review Date: August 27, 2007
Reviewer: Jason A. Miller, New York, New York USA
I cannot objectively review "Robot", because every line of dialogue from Part One has been burned into my memory since I was 11 years old. I came down with the flu one Tuesday morning in January the night after this story first aired on my PBS affiliate (following the much grimmer "Caves of Androzani"). Home sick from school, I watched the episode four consecutive times. Even now, 22 and a half years later, Tom Baker's clowning around in the opening minutes never fails to make me smile.

"Robot" has always been regarded as a lightweight story, for several reasons. First, there's the context. It's a UNIT story sandwiched in between between several post-UNIT Jon Pertwee stories and the gothic horror that followed from producer Phillip Hinchcliffe. Coming behind "Invasion of the Dinosaurs" and "Planet of the Spiders", it's got a much higher comedy quotient that earlier and later stories didn't attempt. On the other side of "Robot" came a dozen classics running from "The Ark In Space" all the way down to "Horror of Fang Rock", all of which make this story look like an episode of the Teletubbies aired against the movie "28 Days Later...".

What also harms "Robot" is what's right up there on screen. Producer Barry Letts, in his final outing as producer, had the sense to videotape this entire story so that the inevitable chromakey woes that dogged "Dinosaurs" wouldn't sink the giant robot. Unfortunately, it didn't work. The robot costume is huge and wobbly, and videotape chromakey doesn't look any better than film chromakey. The robot's ankles disappear as it grows large. A toy tank placed in the foreground for context, looks exactly like a toy tank. Barry would have loved the CGI revolution that allowed for much better results in all-chromakey stories like this past season's "Gridlock". Unfortunately, he retired 25 years too early. "Robot" looks badly dated and no DVD restoration can save that.

So what's right about "Robot"? Just about everything else. Tom Baker is a breath of fresh air in this story and would remain so for years. He hits every mood except dark and foreboding, and that's just in the first 15 minutes. Physical comedy bits such as the costume changes and the jump-rope skipping and the legs up on the desk bit have aged pretty well. Of course it helps that there's a solid supporting cast in Nicholas Courtney, Lis Sladen and Ian Marter.

The story is not deep, but Terrance Dicks writes it tightly. He's always been a good storyteller, even when writing derivative fifth-generation sequels for the BBC "Doctor Who" books a few years ago. "Robot" comes from his prime. Here we have absent-minded professors, fascist scientists and a tortured robot with a crush on a journalist, and Terrance writes it as if it were "Casablanca". And, for the reocrd, Terrance actually did write "Casablanca" 20 years later, for the BBC books. It's a book called "Casastrophea", which features the third Doctor, the Draconians, and Humphrey Bogart.

The DVD presentation of "Robot" is solid. The commentary booth is quite crowded, with Baker, Sladen, Letts and Dicks talking over each other for all four episodes. The reminiscences come pretty fast, faster than even the strictly-average text commentary (from Richard Molesworth this time) can keep up. The 38-minute making-of documentary repeats a lot of ground from both the audio and text commentaries; the shorter featurette on the history of "Doctor Who" opening titles is more likly to stay with you the next morning.

The easiest comparison to draw is between "Robot" and "Rose", which opened the new "Doctor Who" series in 2005. It's a fast, light-hearted premiere with little to recommend it after the technically far superior next episode ("The Ark In Space", "The End of the World")... except that it's funny and not too long, and that first impression of Baker, or of Eccleston, is charming enough to last a long time and to forgive a lot of missteps later on. Mind you, I think the nose is a definite improvement.
A parting of ways... A better tomorrow.
 
Review Date: September 29, 2007
Reviewer: Stephen Ressel, North Dakota, USA
I met Doctor Who, so to speak, in 1978 when I began reading the issue of books being published in America. More precisely when I read an advertising booklet with Harlan Ellison's introduction and several excerpts from the first 2 books. Harlan sounded pompous, I scoffed, but I read, and I loved. From the books you don't get the idea that there are different actors playing the role, and that it was taken from a TV series. Well, I was 12 at the time, too.

Then I accidentally overheard a friend's mother say she saw 'Doctor Who' on WHYY the other night in late May 1979. I flipped out. She probably thought I was insane as I came alive and grilled her about the details of when it was on. And what I saw the next Friday night as episode 2 of 'Robot'. It was hard to see the Doctor as a 40 year old kook speaking obtusely and stalking about like an eccentric maniac, but it took very little time to enjoy it. In 1979 this TV series trounced everything America was doing on television with sci-fi, and by gar it still does (aside from the visual effects).

'Robot' is a little rough, but give it some slack - everything was changing: main actor, script editor, producer, supporting characters, writing direction, technical staff, etc. As Dicks and Holmes shook hands on script, Letts and Hinchcliffe were handing baton in producing, while Baker stormed in and used both hands to grip the wheel of character. And the show has all the efforts and intentions of the two best Doctor Who crews as they transferred creative power over 4 episodes. You get the Letts-Dicks UNIT-Invasion type story with the Holmes-Hinchcliffe motives of greed, idealism and ruthless disregard for life. Harry is a bit backwater and useless, added in case a frail actor became the Doctor, but he became a memorable companion though only in 7 stories. Everything in the show is memorable, though, from Sarah, the doctor, the amazing Robot outfit, the goofy King Kong type situation. It's definitely not the best story, but it has a quaint charm that isn't as embarrassing as many other Who stories.

Tom's Doctor must have been a splash of cold water over the audiences of Britain as he took the role away from the crotchety, kindly, and pompous older characterizations and did a kind of distrait, insane, genius Troughton-esque portrayal. It's obvious why the series picked up ratings when Baker debuted from his acting alone, but also the scripts and technical efforts.

The DVD is really good. The commentary is wonderful, and Letts-Dicks-Sladen-Baker are fun to listen to as they all have quite different personalities and rolls in the making of the story. I wish they had Hinchcliffe in there to make it a rabble. Commentaries from Dicks through Hinchcliffe are always fun because there was a lot of life and joy in upper ranks of the show's production at that time. The documentary 'Are Friends Electric' is very nice, with interviews by almost everyone still alive from the show, and how they related to the show, actors, and script at the time. Some great old script read footage was used, showing Dicks, Holmes, Baker, Marter, Christopher barry, and others hashing through before shooting began. There is a long awaited, but truly awful, documentary about how the title sequence was made. I am aware of how film works, and how they did post and compositing in those days, and I came away none the wiser as to how that sequence worked. I wish they broke it down and showed examples of how it was all put together, a stage at a time. I thought they used a reflective cone mirror at times over some airbrushed art to create the basic tunnel effect, thus the dark/matted center of screen. But aside from that, it's a great bargain for fans of the series, and a good show for anyone who likes fun sci-fi and can look beyond effects.
The first Tom Baker Episode
 
Review Date: May 18, 2008
Reviewer: N. Henry, Joshua, TX United States
Dr. Who fans will want this video. This is the first episode with Tom Baker as the Doctor. He quickly establishes the wit and fun with which he portrayed the Doctor. Sarah Jane (Sarah Jane Chronicles) and Brigadier Lethbridge Stewart are still here. A young Navy medic is assigned to him by UNIT. Together they save the civilized world from being taken over by a secret society of scientists who use a robot to do their dirty work. For us old fans, this is a must have video. For all of you new fans and fans of Sarah Jane Chronicles, this (along with many other Jon Pertwe and Tom Baker episodes) will provide some back story for you.
You had me at Baker
 
Review Date: June 18, 2008
Reviewer: A. Shapiro, Fl
Never has an actor so quickly established himslef in the role as quickly as Tom Baker. Following Pertwee was a difficult task to be sure, but Tom can carry off nearly anything with that smile of his. THE most chariismatic actor to ever play the part gets his start here, and the episode is fabulous, except of course for the robot itself, which, typical of BBC is just not up to snuff. The story is fun, a bit scary and true Who goodness. It also sets the framework going for the trilogy to follow which is a high mark of the series

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Doctor Who Tenth Doctor's Sonic Screwdriver Limited Edition Pack
 
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Doctor Who: The Trial of a Time Lord
 
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Doctor Who is on trial for breaking the First Law of Time, and he must defend himself against the prosecution and the evil Valeyard.

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Doctor Who: The Dalek Invasion of Earth (Story 10)
 
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The second story of season 2, Dalek Invasion of Earth sees William Hartnell's Doctor in a six-part adventure pitted against his greatest nemesis, the Daleks. The Doctor, Susan (Carol Ann Ford), Ian (William Russell), and Barbara (Jacqueline Hill) arrive in the London of 2164, where the Nazi-like Daleks have turned the remnants of the human race into salve workers or "Robomen," who unfortunately foreshadow Monty Python's hilarious "Gumbies." The Daleks' plan involves a vast mine in Bedfordshire and the final destruction of the human race, while pitted against them is a World War II-style resistance movement led by Dortmun (Alan Judd) and David Campbell (Peter Fraser). One of the most famous of all Doctor Who stories, Dalek Invasion of Earth features such iconic moments as a dalek emerging from the Thames, and a remarkable flight across London showing daleks crossing Westminster Bridge and patrolling Trafalgar Square and the Albert Memorial. Terry Nation's story is almost insanely ambitious for the budget, and while sets and effects are primitive the location work is highly evocative. Lavishly remade for theaters as Daleks Invasion Earth: 2150 A.D. (1966), the plot here is more detailed and mercifully free of comic relief, and delivers a surprisingly sensitive ending to mark Carol Ann Ford's departure from the series. --Gary S. Dalkin

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Doctor Who: The Hand of Fear (Story 87)
 
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Doctor Who fans must take the bittersweet with the suspenseful in this four-part story arc from 1976, which pits the Doctor (Tom Baker) and companion Sarah Jane Smith (Elisabeth Sladen) against the fossilized hand of an alien criminal which possesses a hideous will to live again. Discovered by the Doctor and Sarah during a trip to Earth that puts them in the middle of a mining blast, the hand belongs to Eldrad, a fugitive criminal from the planet Kastria who desires to regain his bodily form and return to his home. To do so, he possesses Sarah and the staff of a nearby nuclear reactor in order to use its power to regenerate, which leads to several eerie scenes with the reanimated hand that nicely evoke British horror features from the '60s and '70s. Well-liked by Baker-era fans, The Hand of Fear is best remembered as Sladen's final turn as Sarah (though she has frequently returned to the role on both radio and TV), and her final scenes with Baker (largely written by the two actors) have an endearing sort of wistfulness.

As with all Doctor Who DVD releases, The Hand of Fear features a number of well-produced extras that flesh out the production history of the episodes. The commentary by Baker, Sladen, co-star Judith Paris (who plays the reconfigured Eldrad in an early female form), co-author Bob Baker, and producer Phillip Hinchcliffe is an excellent place to start for first-time viewers and longtime fans; all except Paris are also featured in an informative 50-minute featurette titled "Changing Time," which illuminates the warm working relationship between Baker and Sladen, as well as her reasons for departing the series. An 11-minute videotape clip from the U.K. children's show Swap Shop featuring Baker and Sladen before the broadcast of The Hand of Fear is also included, as well as the now-standard photo gallery, text-only commentary, and PDF of the 1977 Doctor Who Annual and Radio Times. --Paul Gaita

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Doctor Who: The Robots of Death (Story 90)
 
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By Tom Baker's third season in the role the actor had become firmly established in the minds of many fans as the definitive Doctor. First broadcast in early 1977, "Robots of Death" follows on directly from "Face of Evil," which was writer Chris Boucher's debut and also that of Louise Jameson's Leela, the Doctor's most shapely companion (a kind of Neanderthal Seven of Nine if you will). Boucher's second Who story concerns an isolated mining ship on which a series of inexplicable deaths takes place--although as the Doctor opines, "nothing is inexplicable, only unexplained." The Doctor and Leela inevitably become embroiled in events, which soon turn into a sci-fi murder-mystery: imagine Isaac Asimov crossed with Agatha Christie in a Dune-like setting. Add an undercover robot sent by "the company" and the claustrophobic, not to say deadly, setting of the mining ship, and there is a fascinating foreshadowing of Alien, too. It is tightly plotted, intelligent Saturday afternoon entertainment (something that was possible then but is now an unthinkable oxymoron) with a typically strong cast of redoubtable thespians in supporting roles (not to mention extravagant costumes and garish makeup). There may be no Daleks or Cybermen, but this is vintage Who nonetheless. --Mark Walker

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Torchwood: The Complete Second Season [Blu-ray]
 
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The following are included in the second season of Torchwood: repeated bouts of unrequited love, homicidal ex-lovers, monsters from space and impending doom for major characters. Now, that's how a series' second season should play out! But what makes Russell T. (Doctor Who) Davies' sophomore set of adventure for Torchwood so engaging is that he bundles them together in a tight and cohesive package that remains dramatically involving while maintaining the proper level of science fiction adventure. John Barrowman's Captain Jack Harkness is back, having materialized in the final episode of Doctor Who's third series ("Last of the Time Lords"), and with him comes one of the show's most inventive characters: fellow Time Agent and former lover Captain John Hart, played by Buffy the Vampire Slayer's James Marsters. Hart wreaks considerable havoc in the series opener, "Kiss Kiss Bang Bang," and returns several episodes later in "Fragments" to reveal Harkness' long lost brother Gray, who brings the series to a close in "Exit Wounds" with a horrific rash of violence that rends the Torchwood team permanently asunder. It's a finale that will leave fans agape by the final frame, but it's not the only stunner in the second season. "Reset" should also raise eyebrows with both the introduction of Doctor Who companion Martha Jones (Freema Agyeman) in a three-episode arc, but also the shocking death and resurrection of a Torchwood member. Other highlights include "From Out of the Rain," which introduces one of the series' most intriguing villains, the Ghostmaker, and the alien "Adam," who throws the team into chaos with his power to suggest false memories. But the season's key storyline is the conflict between Jack, his brother Gray, and Captain Hart, which brings emotional heat and weight to the show's complex science and fantasy elements. Blu-ray specs are DTS HD and 1080i high definition, and standard-definition extras include all 13 episodes of Torchwood Declassified, the 10-minute companion series which explores elements of each episode, as well as "The Life and Deaths of Captain Jack Harkness," a 22-minute featurette (narrated by Freema Agyeman) about the character's immortal status that includes comments by Barrowman and Davies. Nine minutes of amusing outtakes and 18 minutes of deleted scenes bring this satisfying set to a close. --Paul Gaita

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