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Doctor Who: The Invasion (Story 46)
 
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An electronics industrialist plots to conquer the world using the cybernetic devices his company makes. You can insert your own Bill Gates joke here, but in this epic eight-part 1968 Doctor Who adventure, the villain, Tobias Vaughn (Kevin Stoney in a great performance, one eyebrow perpetually cocked as he schemes), has allied himself with the robotic Cybermen and nearly succeeds in global domination. This story was a harbinger of what was to come in the series during the first half of the 1970s--that is, the threat to contemporary (or near-future) Earth, with the Doctor (Patrick Troughton) joining up with the quasi-military U.N.I.T. headed by Brigadier Lethbridge-Stewart (Nicholas Courtney--who also provides a newly shot introduction to the story and fills in the two missing episodes that were shamelessly destroyed by the BBC when they purged their archives in the early 1970s). Director Douglas Camfield fully exploits the mood-inducing black-and-white imagery, manages to keep the action going (with assistance from real Department of Defence soldiers on loan), and provides some memorable moments, particularly the Cybermen bursting out of the sewers and marching relentlessly through the streets of London at the end of episode 6. The writers wisely give Vaughn most of the exposition with the Doctor and allow the Cybermen to remain nearly indestructible, mostly silent killers. This may not be the greatest of the Cybermen stories in the 1960s, but the metallic monsters make the most of their appearances here, thus cementing their reputation in popularity as second only to the Daleks. --Ryan K. Johnson

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As usual, a solid release, brimming with extras... and a very welcomed surprise.
 
Review Date: February 10, 2007
Reviewer: Twiddles42, MN, USA
It was a shock to see an incomplete story... made complete via animation?!

The highlight of this story is the background history and what transpired to make this 'missing' story into a released DVD set.

The sixth season of the show (1968-1969) had a lot of scripts falling through. As a result, commissioned stories had to be stretched out longer. "The Invasion" is one such story. The good news is, the gravitas of the character and performance of the actor (Kevin Stoney) playing Tobias Vaughn helps elevate this story and keeps it moving. The story is essentially him vs the Doctor, with Tobias attempting to use the Cybermen to his benefit while the Doctor enlists the help of a newly formed secret paramilitary organization that battles alien invaders; UNIT (United Nations Intelligence Taskforce).

I would say episodes 6 and 7 do drag on a bit, but there are plenty of set pieces that re-awaken you at the right times.

As usual, sound and video for a program made in this time are sensational. And the extras and commentaries made by still-living cast and crew alone pay for this story; and then we get the story itself...

Here's the rundown: In the 1970s, the BBC junked many programs from its archives. The Patrick Troughton era of "Doctor Who" was badly hit. As a result, most of his stories have been destroyed.

Fortunately, over the years, episodes are found in warehouses, returned to the BBC by countries who bought licenses to air the old episodes during the 1960s and never junked the films themselves, or returned by collectors - who are far more philanthropic than many we'd otherwise give the title to.

Additionally, during the 1960s, home video recorders didn't exist. (Another 12 years would pass before the technology became feasible... or popular.) So people recorded them onto audio tape, often by dangling a microphone in front of the TV set.

As part of the restoration process (and having seen many VHS copies, some work had to be done), the end result of episodes 2, 3, and 5-8 are marvelous. And this is the first professionally released version of the story where all the Cybermens' dialogue can be heard distinctly, with full clarity. The previous releases I've seen just didn't have the cleanup applied and the difference is PHENOMENAL.

But the icing is on the cake: Episodes 1 and 4 have been re-created via cleaning and amalgamating numerous audio tape sources, with animation applied. And the animation is spectacular. It doesn't steal any opportunities to go "over the top", there is a genuine sense of the animators trying to be true to the original footage as possible (though some embellishments are inevitable; the master tapes and films nonexisting). It's very clever, grabs your attention, doesn't seem at all shoehorned in, and the audio quality is spectacular. The extras go into the history of program junking, how audiotracks were recovered, and a well made piece on how they were cleaned - I don't want to spoil it here, but as with the main story, there is not one piece of extra that does NOT entertain or edify!

HIGHLY recommended.
New Animated Episodes, New Era for the Greatest Doctor!
 
Review Date: December 2, 2006
Reviewer: HarryFan, Pacific NW
I had the good fortune this week to view the newly released DVD set from BBC of the great Doctor Who adventure, The Invasion, with the two "missing" episodes animated by Cosgrove Hall - amd I'm delighted to report, it is fantastic! As many Who fans will have seen the (rather poor quality) VHS of some years ago for this riveting story, I'll turn right to the restored Episodes 1 and 4. How good a job did the animators at Cosgrove Hall do? A very good job indeed. Turning to the animated versions of the characters themselves, the portrayal of Zoe is amazingly faithful to Wendy Padbury's original, with all of her subtle facial expressions and visual personality intact. And what a fine actress she is! The Jamie recreation, while certainly recognizable, is not quite as successful - he must have a more difficult face to render. As for the great Patrick Troughton himself, well, for the most part the animated version is a near-perfect recreation of my favorite of all the Doctors (or perhaps it's a tie with Tom Baker); at some angles, though, particularly when the Doctor is looking upward, the animated character looks a bit like George Washington coping painfully with his wooden dentures. It's true. Minor quibbles aside, though, quite a glorious reconstruction of these missing episodes. Also excellent are the animated alter egos of the supporting characters, including the villain Tobias Vaughn (but for some reason, without his lazy right eye in the animated version, a physical trait that adds to the character's menace). The animated action sequences are always excellent, with a particularly convincing cow in Episode 1, staring in through the TARDIS window. Giving nothing away, the first few moments of Episode 1 involve a missle being fired at the just-reassembled TARDIS (Invasion followed Mind Robber in sequence), and this and the other special effects probably look considerably better, less budget-constrained, than in the lost originals. As for monsters, there aren't any in Episodes 1 and 4, until the last few moments of Episode 4, where they make a most dramatic appearance, not to be missed by any Who fan. What a perfectly wonderful way to recreate this masterpiece. I enjoy the telesnap-based recons a great deal, but clearly animation is the way to go with these missing episodes. A triumph! And if we're very very lucky, this might be the harbinger of things to come from BBC/Cosgrove Hall. The bulk of the Second Doctor's episodes are "missing from the BBC archives," and likely to remain so, barring the opening of some Middle Eastern film library or mad collector's shelves. These include some of the very finest, most well plotted and superbly acted stories in the entire series: Fury from the Deep, Macra Terror, Power of the Daleks, Evil of the Daleks, the two Yeti stories, and much more. Obvious follow up projects would include the Tenth Planet, Ice Warriors, and Moonbase, which are reasonably close to being complete in the archives. Some of these stories, and particularly the monsters and other special effects, may actually benefit from being animated - given the budgetary constraints imposed on Doctor Who in this early time period, the monsters aren't always as convincing as they might be (part of the charm of the series, I recognize).
Reserve your advance copy of this lost masterpiece today! Support this glorious and thoroughly successful breakthrough. And join in the hope that The Invasion will signal a new era for Patrick Troughton, the greatest Doctor of all! (Now how about the First Doctor's Marco Polo, or Dalek Master Plan . . .?)
"PACKER" The Invasion gets a Glorious Reconstruction.
 
Review Date: August 16, 2006
Reviewer: Armchair Pundit, Durham City, England.
Season 6.
UPDATE (Nov.5/06):~I watched the restored version of this story yesterday and all I can say is; "Well worth a purchase", the animated episodes add to the story with their moody stylized artwork.
Cartoon, not computer generated.
The likenesses of the characters are spot on.
The vidfired picture quality is much improved over the VHS version.
~~~~
This great eight episode story is out now in the UK with the two missing episodes getting a full length animated reconstruction with the original soundtrack spliced in.
The eight episodes are split across two disc's.
It's getting animated by Manchester based Cosgrove Hall.
(They did Dangermouse in the 80's.)
Gets a US release March 6,07.
Perhaps the BBC are going to reconstruct other episodes, If this sells well?
~~~~
Okay animated reconstruction may not be as good as having the actual episodes as originally filmed, but it's a heck of a lot better then Nick Courtney taking Three minutes to talk about a twenty five minute episode.
(Like on my VHS release.)
We have to thank 60's Doctor Who fans who audio taped all the stories, that the soundtrack to the missing episodes still exist at all.
~~~~
I've always felt Tobias Vaughn to be one of Who's best; "Human" villains.
A particularly good scene that shows Vaughn at his vicious best, is when the captive Professor Watkins says he will kill Vaughn if he gets the chance, so Vaughn gives him a gun and taunts and then wallops Watkins into shooting (Vaughn) in the chest. With no effect on Vaughn as his body has been Cybernized. (If there is such a word?)
This story has that; "classic" scene of the Cybermen coming down the steps near St Pauls Cathedral.
The name Packer (Vaughn's nasty but not too bright security chief) is said many times and in many different inflections by Tobias Vaughn. (Just try and count them.)
Troughton has always been my favourite Doctor, and I can't wait to see this story get the; "Vidfire" treatment. The picture quality on the VHS release was pretty ropey.
The best Doctor & the best enemies, (Tobias Vaughn & 60's Cybermen) the silly but loyal Jamie, and the gorgeous Zoe !!!
A GLORIOUS COMBINATION.
~~~~
DVD Special Features:~
Eight episodes.
Disc 1:~
Ep.1~animated
Ep.2
Ep.3
Ep.4 ~animated
Extras:~
Commentary by:~ cast,production staff,animators.
Love off Air:~ History of fan audio recording.
Doctor Who confidential:~ interviews with the animation team.
Character design:~ featurette.
2 animated trailers.
Disc 2:~
Episodes:~5,6,7,8.
Extras:~
Commentary:~ cast,production staff.
Evolution of The Invasion:~ a 50 minute look at the story.
Photo gallery.
Original links:~ Nicholas Courtneys links to the missing episodes on the original 1993 VHS release.
Originally broadcast BBC 1:~2/11/68-21/12/68
Innovative solution
 
Review Date: May 12, 2007
Reviewer: Christopher Abbot, Oak Bluffs, MA
Many years ago my local PBS station showed Dr. Who on a regular basis. Unfortunately, due to licensing agreements and lack of funding, we often received only endless reruns of the Tom Baker series. Finally, several of the Patrick Troughton episodes were aired, and I remember being charmed by his Doctor's vulnerability and humanity.
Due to its incomplete nature, however, I had to wait until BBC Video produced a VHS version of The Invasion, with links to the missing episodes provided by Nicholas Courtney.
Now, the BBC has found a clever solution to the problem of the missing episodes (1 and 4): cartoon images have been added to the soundtrack, which was obtained from off-the-air tapes, made by fans, of the original broadcasts. While the animation is by no means state-of-art, it suits the '60s nature of the program.
Since the storyline includes one of the Doctor's few really iconic antagonists in the Cybermen, it has always been on my list of essential programs. Wendy Padbury and Frazer Hines return as Zoe and Jamie, who provide a nice balance to Troughton's Doctor--it was actually pretty progressive to have the female assistant be the brainy one, while the male was there to ask the Doctor for explanations (and to provide the occasional flash of leg!). And one can't underestimate the importance to later program developments of this first appearance of Brigadier Lethbridge-Stewart and the Unit team.
It would be easy to criticize the melodrama of much of the storyline, and the campy nature of the buffoonish Packer--but that's the fun of Doctor Who, and I for one quite enjoy suspending disbelief for the duration of this very entertaining program.
Animation experiment brings the Doctor alive!
 
Review Date: March 7, 2007
Reviewer: JKO, New York, NY USA
A slightly mis-matched pair of releases from the Doctor Who vaults comes our way from the BBC. The Invasion, an epic 8 part story from 1968 made in glorious black and white - at the time the second longest story yet made - and a brief two-parter, The Sontaran Experiment, squeezed in from 1975. But there's a lot to enjoy here to celebrate the classic era of the show.

The Invasion stars Patrick Troughton as the second Doctor, featuring in a format that set the stage for his successor Jon Pertwee's tenure in the role. After the success of the Web of Fear a year earlier, when Yeti invaded the London Underground and the Doctor helped the British military contain the threat, the production team set about creating another London/alien invasion story, with the military presence expanded to a fictional international force known as UNIT. They brought back the same character and actor from the Yeti story to lead this force, promoted him to Brigadier and thus launched one of the most popular and enduring characters from the show's history.

This particular story was something of a milestone in Doctor Who history, even though it was born out of a panic to replace some rejected scripts. Not just because it created a new format for the show, but mainly for its impact on the viewing public. When the Cybermen emerged from the London sewers to enslave the human race, marching inexorably down the steps of St. Paul's Cathedral, the impact on the psyche of the British children watching was enormous. I know I was not alone in avoiding all sewer manhole covers for years to come! Alas, episodes 1 & 4 were junked by the BBC in 1971 and the remaining 6 were of poor quality tele-recordings. Inadequate linking material, intended to bridge the gaps, was recorded by Nicholas Courtney - The Brigadier - for the 1993 VHS release, but now the brilliant boys at Cosgrove Hall have replaced the two missing episodes in their entirety with animated recreations of the missing footage. I wasn't sure at first about the concept, but all doubts were dispelled as it is so brilliantly executed. Using the original soundtrack, the animation has been recreated perfectly and fills the void wonderfully.

Apart from the animation and phenomenal restoration work, there are many extra features describing the animation concept, process and restoration, as well as an in depth feature on the making of the programme and the era in general. The care and love that went into making these two episodes is evident. It thus seems almost churlish - and certainly geeky - to make any criticism, but there is one error which is almost unforgivable! The animators have given the Doctor's assistant Zoe the wrong costume in the early part of episode 1! It would have been an easy mistake to make, except that the previous episode (which runs immediately into this story) does exist and photos from episode 1 are abundant. They've drawn her with the costume she adopts about mid-way through the first episode. For all their attention to detail, it seems a very basic error to have made.

The commentary from Frazer Hines (Jamie), Wendy Padbury (Zoe) and Nicholas Courtney for the six live action episodes is very entertaining, as is the one from the animators and restoration team for the two missing episodes. But I wish they'd have included Derrick Sherwin, the script editor, eventual producer, creator of the UNIT format and author of this particular tale. Much as I like hearing the Brigadier, he does get used rather often on the Doctor Who commentaries. A minor quibble.

With all of these extras and goodies, it's a shame to compare the relatively thin co-release, The Sontaran Experiment. A two part adventure from Tom Baker's first season in the role of Doctor number four, this very short story really belongs as a tag-team with the preceding four-part adventure, The Ark in Space. It's really using all the location and outside broadcast allocation that didn't get used in the studio based Ark story. By releasing it alone, I think the BBC are stretching fan's patience just a tiny bit, but they have at least included a very well made documentary on the history and evolution of the Sontarans and there's a great commentary soundtrack too. Seems a bit much to shell out $13 for two episodes, but as a fan, I'm just glad to have them in my library. As the first story ever made to be made entirely on location and entirely on video tape, it's an interesting milestone in the Doctor Who evolution.

A good pair of releases. One probably too long and one probably too short, but together forming another great pair of entries into the Doctor Who DVD collection.

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Doctor Who: Horror of Fang Rock (Story 92)
 
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"Something is going on here. Something I don't understand." So states the old lighthouse keeper on the remote, fog-shrouded island of Fang Rock in this haunting story from Doctor Who's 15th season. If you are a new visitor to the universe of this venerable British sci-fi series, no doubt you will share his sentiment.

But for this particular story, you need not know that Doctor Who is a Time Lord who travels the cosmos in a spacecraft called the TARDIS, an interplanetary time machine that looks like a police call box, or that Tom Baker, who portrays him here, is the fourth and perhaps most popular incarnation of the good Doctor.

Horror of Fang Rock is as much ghost story as science fiction. The TARDIS has deposited the vacation-bound Doctor and his companion, Leela, on Fang Rock ("You told me I would like Brighton," an unimpressed Leela remarks about the desolate surroundings), just after a strange light was witnessed plummeting from the sky into the sea. A mysterious fog envelopes the lighthouse, and one of its inhabitants is mysteriously killed. When a ship runs aground, its passengers take refuge in the lighthouse and find themselves stalked as well. Is it the mythical Beast of Fang Rock or, as the Doctor suspects, an alien menace?

The cheesy mid-1970s-vintage special effects are part of this show's charm. Like Rocky and Bullwinkle cartoons, what Doctor Who lacks in production values, it more than makes up for in verbal ingenuity. "Are you in charge?" someone asks the Doctor. "No," he responds, "but I'm full of ideas." --Donald Liebenson

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"The hero isn't saving many lives"
 
Review Date: February 13, 2006
Reviewer: Jason A. Miller, New York, New York USA
"Horror of Fang Rock" is one of "Doctor Who"'s creepier entries. It proves that a story made on styrofoam sets, with a monster so poorly made that the props kept melting under the studio lights, can still be edge-of-your-seat viewing. The TARDIS lands on a rocky outcrop under a lighthouse on the same night that an alien invasion fleet's advance scout crash-lands into the sea. A team of doomed lighthouse keepers, derived from a sub-Coleridge turn-of-the-century ballad, falls easy prey to the shape-shifting, electricity-wielding creature, as does a yacht full of bickering aristocrats also stranded on the isle.

The story opens the 4th (and exact middle) of Tom Baker's seven seasons as the Doctor. As a midway point to the Baker years, "Fang Rock" is intriguing in that it not only hearkens back to the gothic horror of his earlier years, but also serves as a window on the series' future mayhem, when Baker the actor would start acting against the scripts and run amok of the producers' control. The DVD release pays detailed attention to Baker's on-set flareups, while demonstrating how he could still produce great on-screen moments when working with the right people -- actress Louise Jameson and director Paddy Russell.

The commentary track sizzles with tales on on-set strife generated by Baker, if you're into learning that stor of thing. Jameson (companion Leela) provides excellent audio, balancing detailed production anecdotes with an intelligent critique of the story, almost 30 years later. She gives a far more satisfactory origin of the name "Leela" than did Leela's creator, writer Chris Boucher, on the "Robots of Death" DVD some years back. Terrance Dicks, always a hoot on DVD, lavishes praise over elements of his own script, while laughing off other elements of the story. If he likes a cliffhanger (the end of Part Three, a funereal Baker oratory), he takes full credit; if he thinks the cliffhanger landed on the wrong beat (the end of Part Two, when two characters awkwardly embrace against an off-camera scream), he'll cheerfully blame the director. Third wheel John Abbott, who played the youngest of the lighthouse keepers, has neither lot to do in the story nor to say on the commentary track, but he does give an interesting account of what it was like for a rookie actor to intrude on Baker's turf.

The best of the extra features is the 35-minute documentary on Terrance Dicks' "Who" career, featuring interviews with producer Barry Letts, old series writer Louis Marks, and current series writer Paul Cornell. Cornell gives a great breakdown of what made the "Fang Rock" script work so aggressively well ("The story has three McGuffins... and two of them are used to defeat the third"). DW book editor Peter Darvill-Evans, who looked nothing at all like I imagined (more like Ric Ocasek than Charles Dickens), describes Dicks' contribution to several decades' worth of DW novels. The closing credits feature a fabulous montage of every iteration of the Dicks-coined phrase "reverse the polarity of the neutron flow", against Jon Pertwee's observation that you could sing the line to the tune of "The Sailor's Hornpipe".

Now that "Doctor Who" has graduated into the 21st century and is working on its second season of new episodes, with modern production values and British TV's most celebrated writers, an episode like "Fang Rock" can easily sink into irrelevance alongside last season's gothic horror fests "The Unquiet Dead" and "The Empty Child". However, aided by the usual wonderful set of extra features, this DVD reminds those of us who've been in the "Who" fandom game for a while just how we got here in the first place.
VERY Highly Reccomended!
 
Review Date: October 14, 2005
Reviewer: C. C. Cotham, Austin, Tx United States
If you're like me, you'll remember watching DOCTOR WHO every day on PBS, unable to resist tuning in again after the previous day's nail-biting cliff-hanger. If that sounds like you, then this DVD is a must-buy. This one's an excellent example of what DOCTOR WHO did best, and why it kept so many of us entertained for a half hour every afternoon.

DOCTOR WHO was never a lavish production, and it was always best when it knew how to work with its limitations. It never had a big budget or gigantic sets, but this adventure shows how that was used as an advantage. In this one, a small cast of characters gets trapped in a spooky haunted lighthouse, with a monster slithering in the shadows, killing them one by one..... The Doctor has to figure out how to defeat the monster, while the body count starts climbing. It's a classic recipe for suspense, well-executed - and I'd seriously reccomend this to many modern, over-financed film-makers as an object lesson in how to do that right. It doesn't hurt that the actors are all top notch (especially series stars Tom Baker and Louise Jameson), and that they're given some great snappy dialogue. This is supposedly a science fiction show, but the result is some great combination of horror, murder-mystery, and Masterpiece Theatre.

The picture and sound quality are amazing, considering how old these shows are. But I honestly found some of the DVD bonus material took away a little of the show's excitement by examing it in more detail than I wanted to know. If you're at all interested in production trivia, you'll probably love the lengthy interviews with the production crew, and the technical notes - but I thought they took away some of the 'magic' of the show, even more than seeing the strings holding up a spaceship.
And, while I thought it was cute, I didn't see the relevance of the sketch starring the little puppet fox.

Its obvious, watching it nowadays, that DOCTOR WHO was made in a very different time and place than the one we live in now, here in 21st Century USA. But no matter what's changed in television and technology, this show is still exciting, and loads of fun to watch. It's even better on DVD, because there's none of that awful waiting for tomorrow to see how each cliff-hanger resolves itself. If you're like anyone in my household, you won't be able to resist watching it all in one go.
"You know our form?"
 
Review Date: February 3, 2000
Reviewer: Kevin L. Nenstiel, Kearney, Nebraska
One of the things I liked about the movie _Alien_ that its sequels didn't have was a sense of claustrophobia -- the hero couldn't just run away. It was stand up and defend yourself or be eaten. This episode of _Doctor Who,_ a perennial favorite of me and all my friends, is able to boast superiority even to that classic movie.
An Interesting Morality Tale
 
Review Date: November 8, 2003
Reviewer: Simon Wood, California, USA
Tom Baker was blessed with some of the best Dr. Who scripts and this one, for me, remains one of the best and one of the most intriguing. Besides being a variation on 10 Little Indians as other reviwers have mentioned, the story is also an intriguing morality play. All the victims were guility of a kind of deadly sin. The lighthouse was populated people guilty of greed, ignorance, intolerance, etc. which ultimately costs those people their lives.

I can't think of another story that did similar.

One of my all-time favourite Who stories
 
Review Date: December 5, 2003
Reviewer: Justin Osgood, Las Cruces, NM USA
I can remember watching this story very young actually, and it's one of the few that I can watch today and remember seeing back then (the rest seem to have gotten lost in a fog of memory). Besides that, it's one of my favourites because it's a great story during one of the best times in Doctor Who...Tom Baker as the Doctor and Louise Jameson as Leela, his companion.
Just the fact that the entire story takes place in a lighthouse was a stroke of brilliance. It's a perfect setting for this horror-laced story, brimming with tension and suspense a-plenty. The entire cast gives great performances and there are some classic Tom Baker moments: The survivors or a ruined ship take refuge and start to bicker amongst one another, and the Doctor is just sitting there amidst it, until he suddenly interrupts: "Just a moment! We haven't been introduced!" and then slumps back in his chair. Additionally, later on in the story, he returns to the survivors and says, in his usual maniacal fashion, "Gentlemen, this lighthouse is under attack and by morning we might all be dead. Now, who's interested?" Classic stuff, to be sure. Not to mention we finally see the nemeses of the Sontarans, the Rutans.
I would heavily advise this story to anybody looking for a primer in not only the Tom Baker era of Doctor Who, but Doctor Who in general. I've shown this as an introduction to several friends who were unfamiliar with the show and they've become fans as a result, so I suppose I must have chosen wisely! LOL

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Doctor Who - The Stolen Earth Set
 
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This 5 inch episode themed Doctor Who action figure set includes Davros and the Doctor, plus Supreme and Cruicible Daleks.

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Doctor Who: Carnival of Monsters (Story 66)
 
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"Carnival of Monsters" finds Jon Pertwee's Third Doctor and Jo Grant (Katy Manning) materializing on the SS Bernice in the Indian Ocean in 1926, on the very day the ship is about to give rise to a famous sea mystery. Passengers and crew, including Ian Marter (who would return as companion Harry Sullivan two years later), are reliving the same few moments over and over again, and there is a plesiosaur in the ocean. Meanwhile two traveling show people, Vorg (Leslie Dwyer) and Shirna (Cheryl Hall), have arrived on the planet Inter Minor with an illegal Miniscope peepshow. In a variation on the miniaturization plot of Fantastic Voyage (1966), and harking back to Doctor Who's own "Planet of the Giants" story from 1964, the Doctor and Jo have materialized within the Miniscope's compression field and are trapped inside.

As the second story in the 10th season of Doctor Who, this fast-moving, witty, and surreal adventure slots into series continuity between "The Three Doctors" and "Frontier in Space." A longtime fan favorite, the four-part thriller remains one of the most enjoyable of the Jon Pertwee-era stories. --Gary S. Dalkin

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Doctor Who - The Complete First and Second Series (11pc)
 
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Studio: Warner Home Video Release Date: 01/16/2007

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Doctor Who: The Sontaran Experiment (Story 77)
 
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One of the more suspenseful stories of the Tom Baker-era Doctor Who, 1975's The Sontaran Experiment pits the Time Lord and his companions against a ruthless alien carrying out experiments on the survivors of a decimated Earth. The first Doctor Who serial to be shot entirely on location (in Dartmoor) and solely with video cameras, The Sontaran Experiment picks up where the previous serial, The Ark in Space, left off, with Baker's Doctor, Sarah Jane Smith (Elisabeth Sladen) and Harry Sullivan (Ian Marter, who also wrote the serial's novelization) visiting a future Earth abandoned by its inhabitants save for a small band of space colonists who are being hunted by an unseen force and its robot servant. The alien – a Sontaran warrior (the race was previously encountered in the Jon Pertwee serial The Time Warrior) – is capturing the colonists and subjecting them to horrifying medical and psychological experiments, and the Doctor and friends soon find themselves among its new test subjects. A short (only two episodes) but gripping and effective story, The Sontaran Experiment has received its share of positive and negative reviews from the fan community, but remains an entertaining entry from the Baker years. The single-disc DVD of The Sontaran Experiment offers surprisingly fewer extras than other recent Doctor Who releases; commentary is provided by Sladen, producer Philip Hinchcliffe, and co-writer Bob Baker, while a featurette, "Built for War," traces the history of the Sontarans via interviews with Sladen, Baker, sixth Doctor Colin Baker, writer Terrance Dicks, and others. A brief photo gallery and the by-now standard production notes subtitle option round out the extras. -- Paul Gaita

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Doctor Who: The E-Space Trilogy - Full Circle/State of Decay/Warriors' Gate (Stories 112-114)
 
Manufacturer: BBC Video / Warner Bros.
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The E-Space Trilogy is a well-regarded trio of stories from the tail end of Tom Baker’s tenure as the Doctor (and the show’s 18th season), and find him lost in a parallel universe full of alarming new foes; the trilogy also serves as a farewell to one of the Doctor’s best-loved companions, Romana (Lalla Ward) and an introduction to one of his most controversial, the teenaged Adric (Matthew Waterhouse). The TARDIS enters the alternate universe--known as Exo-Space or E-Space in 1980’s Full Circle, which finds the Doctor and Romana charting a course for their home planet of Gallifrey but instead finding themselves on the planet Alzarius, where a small band of humanoids find conflict within their number as well as from menacing, reptilian Marshmen. One of the humanoids, a teenager named Adric, stows away aboard the TARDIS and accompanies the Doctor to a new planet in State of Decay; there, they discover a medieval-like society in the grip of three lords who demand sacrifice from the population. The true identity of the lords lends an air of Hammer-style horror to the story, which is perhaps the most engaging of the set. Finally, an escape route from E-Space is revealed in Warriors’ Gate, but first, the Doctor and his companions must contend with a slave ship and its cargo of lion-like creatures called Tharils. Though the Doctor is eventually freed from E-Space, his departure does not come without its costs, as revealed by the final fate of Romana and fan favorite K-9 Mk II.

Though by no means among the best of the Baker episodes, the E-Space Trilogy delivers plenty of thrills in its three stories. Fans may find areas to quibble over--especially in regard to Adric, whose presence pales in comparison to Baker’s previous companions--but they bear up well in regard to solid plotting and consistent entertainment, especially when compared to the lighter tone of the previous season, which was overseen by Douglas Adams of Hitchhiker’s Guide to the Galaxy fame. Baker and Ward are once again the anchors of the show, and her departure is an unfortunate one (the Doctor would struggle to find an equally strong companion in the years that followed); Baker of course, remains a pleasure as the Time Lord, though one can occasionally perceive his growing dissatisfaction with the role (he would depart the series at the end of the season). And perhaps that’s the reason why he is absent from the set’s wealth of extras, leaving Waterhouse to contribute the majority of the commentaries, though Ward weighs in on Warriors’ Gate. Archival footage from UK TV chronicles Waterhouse’s debut on the series and preserves the original continuity announcements from the BBC broadcasts, while featurettes cover everything from Ward’s stylish wardrobe to the making of each episodes. One of the most interesting extras is “Leaves of Blood,” a 20-minute examination of vampires in literature and history, and featuring comments by such noted authors as Ramsay Campbell and Kim Newman. Deleted scenes and an isolated score option round out the supplemental features. -- Paul Gaita

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Doctor Who Tardis Talking Money Bank
 
Manufacturer: Charcter
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Collect your money in this 8" tall talking TARDIS bank.

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  • Light & sound effects
  • Authentically modeled Tardis
  • Money release door in base
  • Requires 3 x AAA (not included)
  • Note: The picture on the bank may very.

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Doctor Who: Delta and the Bannermen (Story 150)
 
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While the Doctor and Mel are having a rest at the Shangri-La Holiday Camp in 1959, the Chimeron princess Delta appears with the murderous Bannerman se

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Delta and the Bannermen: pure fun
 
Review Date: July 13, 2009
Reviewer: Joseph Allen,
This show set in a 1950's british summer tourest camp is just that camp, yet a lot of fun. It poles fun at every aspect of everyday life of the 1950's, and keeps everyone smiling from the start to end. For all the heavy episodes done by the series at this time, this one is a breath of freash air and just a lot of fun that the crew had fun making you can see it in their faces.
Thoroughly Enjoyable
 
Review Date: November 6, 2009
Reviewer: Howard M. Kindel,
I have to admit I'm developing an appreciation of Sylvester McCoy's Doctor Who. At first, I intensely disliked his characterization; but as I've watched more episodes of the McCoy era, I'm rapidly changing my opinion of him. He rarely gets ruffled and almost never deviates from his plan, even when conditions change. And I find his distinct costume far less clownish than, say, Tom Baker or Colin Baker's - even with his ever-present umbrella. This particular episode, "Delta And The Bannermen," seems like the quintessential Sylvester McCoy vehicle. The story is quite good; and, like others of the McCoy era, quite unique: a genuine "stand-alone" episode. You don't know immediately which are the "good guys" and which are the "bad guys," so that alone engages your interest from the very start. And each step of the way, as the peril grows, there's enough busy-work to keep your interest. Plus, the very notion of a literal "time-share" vacation is, in itself, interesting. All in all, a great episode - McCoy's sidekick Mel notwithstanding.
Me? I love it
 
Review Date: May 15, 2009
Reviewer: Nathan Redmond, Halifax, Nova Scotia, Canada
Delta and the Bannermen is definitely one of the most polarizing Doctor Who serials; either you love it or hate it. Its bad reputation probably comes from being sandwiched in the middle of Sylvester McCoy's first season in the lead role, which is universally written off as 14 episodes of childish, gaudy faffing about offset by hideous dialogue, cheap production values, and, of course, the rightly infamous "demo mode on Casio keyboard" music of Keff McCulloch used for all but one of the season's episodes.

Well, Delta is probably the best episode of the otherwise calamitous 24th season of the show. The first two serials of the McCoy era did not paint the character with a good quality brush; in Time and the Rani, the Doctor went way beyond his regular eccentricity and became just plain weird and often facetious; I submit the mixed metaphors he regularly spouts throughout that episode ("Time and tide melts the snowman," "Two wrongs don't make a left turn," et al.) as evidence. Paradise Towers was probably even more silly than the preceding serial, where the acting was at its absolute worst and Keff's music was channeling Speak and Spell-era Depeche Mode by way of Madonna.

Delta is different from those two. The Doctor doesn't act overly silly here (aside from the accidental sneeze that leads into part one's cliffhanger); McCoy's performance here is great, beginning to plan out the darker, moodier Seventh Doctor of the final two seasons. There's a great character moment for him towards the end, where he is seen cradling a Stratocaster and commenting, "Love has never been known for its rationality."

And the script? For a comedic episode, it's not bad. Doctor Who has always raised ire when trying to do comedy (see the late 70's disasterpiece of BBC Christmas pantomime, The Horns of Nimon, for more information), but the comedy is offset by a great deal of character scenes and some great production values for the period (this episode was almost entirely shot on location, which probably contributes to the polished look).

But the biggest subject of debate is the massive amount of 1950's rock music used throughout all three episodes, albeit in cover versions. I don't mind it so much as others; Keff's attempts at rock are better than the actual synthesized, non-diegetic music used for most of the episode, but not by much (on a side note, Keff himself makes an onscreen appearance in part one).

You've probably heard a lot of bad things about this one if you're a fan, but I suggest you give it a chance. As I said, you either love this episode or hate it; it's Doctor Who trying to be radically different, and whether it succeeds or not is entirely your perception. However, if you're someone who longs for the "good ol' days" of Jon Pertwee, complete with horrible CSO and rubber suit monsters, then go back to The Green Death and stay far, far away from this one.

As for the DVD, it includes an early edit of part one, with extended and rearranged scenes (and lacking music and sound effects), a documentary about Doctor Who comic strips, continuities from the original 1987 transmission, and the obligatory audio commentary, among other things; typical of the excellent DVD releases you've come to expect from the BBC.
The 7th Doctor Finally Comes Into His Own
 
Review Date: September 18, 2009
Reviewer: Wes Saylors Jr., Boone, North Carolina
Much like the first two James Bond movies after Roger Moore took over the roll, the first couple of Sylvetster McCoy episodes of Doctor Who are hit and miss affairs. There are times when you can see consistency trying to emerge, but basically all concerned with the 7th incarnation of the Doctor are trying to see what fits. However, 'Delta and the Bannermen' is probably the first real glimpse of the Doctor we are going to enjoy until 1989. The story (concerning an Enlish holiday camp in the 1950s and an invading alien race) walks the fine line between slapstick and genuine adventure. Most of the McCoy episodes did this, mixing Sylvester McCoy's talent for physical comedy and machine-gun speech patterns with his sympathetic nature and concern for his travelling companion (which would later be perfected by the arrival of Ace, an almost perfect pairing of a Doctor with a companion). There is a lot of physical comedy in any McCoy episode, but the scripts also contain genuine wit and intelligence. McCoy himself is highly likeable and the imagery contained in much of his run as the Doctor is the most arresting to be seen on television since 'The Prisoner.' And all done with a miniscule budget. Dr Who has always been a great example of script and intelligence over budget and special effects, and the McCoy run of shows is no exception. 'Delta and the Bannermen' (as well as many of the other episodes) offer funny, exciting and well-acted television. The McCoy years are filled with high-energy, and this has sometimes been confused with mere slapstick. This is not the case, though. Sylvester McCoy combined his physical comedic skills faster paced productions (these episodes can actually be called exciting)and top-notch scripts to deliver two memorable seasons. I agree, he took some time finding his feet, but once they landed firmly on 'Delta and the Bannermen', there was no looking back for the 7th Doctor.
Dr who different style
 
Review Date: June 29, 2009
Reviewer: Cara Wallace, Tucson, AZ
I'm one of those people who love Delta and the Bannerman. Yes there are sappy parts, but they are more than made up for by the good parts. The beginning with the purple aliens and the bus ride..not so good. Everything at the summer camp, Mel, Delta, Ray, Billie & the Bee-Keeper are all good. The actual Bannermen are horrible. The investigators, the navarino's and the background music is what gives this episode a bad name. So if you want to see an episode where the doctor dances to 50's music and rides a motorcycle, Mel is tolerable, and the doctor plays eccentric with a real eccentric, please join in. It has a different flavor than any other 7th doctor episode. If you are looking for a tight, action_packed story you probably need to move along. Best line: "I think I took that a little too farrrr."

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Doctor Who: The War Games (Story 50)
 
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Patrick Troughton's tenure as the Second Doctor comes to an end with this epic 10-part Doctor Who serial from 1969, which finds him at crossed swords with both a diabolical race of aliens and his own race, the Time Lords. The Doctor's problems begin when he and companions Jamie (Frazier Hines) and Zoe (Wendy Padbury) materialize on a planet where soldiers from Earth's past have been brought to fight in a battle of supremacy in order to build a super fighting force for aliens with galactic conquest in mind. In order to stop their plan, the Doctor is forced to call on the Time Lords for help--and in doing so, he must face both trial for stealing the TARDIS and possible regeneration. Historically significant in the history of Doctor Who as the final appearance of Troughton in the role, as well as for the first episode to mention the Time Lords by name and the concept of the Doctor's regeneration, The War Games is distinguished by the quality of its clever scripting (by Terrance Dicks and Malcolm Hulke), which changed the direction of the series for the entirety of Jon Pertwee's term as the Third Doctor and part of Tom Baker's Fourth Doctor story arc.

The DVD presentation of The War Games celebrates the importance of the serial in Who history with a three-disc set that covers nearly every aspect of its production and the Doctor's place in pop culture during the time of its broadcast. Chief among the extras is a commentary track featuring Hines, Padbury, Dicks, and costars Philip Madoc, Jane Sherwin, and Graham Weston; all are featured, along with a host of additional performances and crew, in both the 36-minute "War Zone" featurette, which discusses the making of the serial and Troughton's departure, and "Shades of Grey," which examines the effect of monochrome television on early episodes such as this one. "Talking About Regeneration" discusses the Doctor's changing appearance through talks with Fifth Doctor Peter Davison, among others, while "On Target--Malcolm Hulke" kicks off a series on coauthor Hulke's imaginative Doctor Who novelizations. There's also another installment of "Stripped for Action," which covers the Doctor's adventures in comic form, as well as interviews with composer Dudley Simpson and makeup artist Sylvia James, return visits to the serial's exterior locations, and the usual subtitle production notes, promotional trailers, Radio Times PDF, and gallery of photos. Only "Devious," an amateur film made by fans, fails to live up to the quality of the other material. The Easter Egg-curious will also find treasures on all three discs, including behind-the-scenes audio, a test reel of special effects animation, and an amusing rendition of the Doctor's plea before the Time Lords as enacted by cheeky sock puppets. --Paul Gaita

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