 The Moody Planet. |
| Review Date: January 15, 2008 |
| Reviewer: Armchair Pundit, Durham City, England. |
Season 13.
Zeta Minor is a planet on the periphery of the known universe.
But what is not known about it, is, it's also a gateway to the anti-matter universe!
(Nothing is ever simple in the Whoniverse!)
En route to London the TARDIS picks up a SOS call from Zeta Minor, the Doctor immediately changes course and land's there. (circa, 37,166)
Trudging through this densely jungled world the Doctor and Sarah come upon a Morestran military squad, searching for a geological expedition that has ceased transmitting.
The Morestran's are extremely suspicious of the Doctor and Sarahs explainations as to why they are there, but their conflict is about to be seriously interrupted when the anti matter world makes it's presence known to them.
And an infected killer starts to stalk the ships corridors...
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Behind the scenes.
The real star of this story, for me, is not a Human character but the magnificient alien jungle set, designed by Roger Murray Leech. Later to design for feature films.
He suggested it should be shot on film at the BBC owned Ealing film studios, and not videotaped, to give it greater depth and realism, and it works for me. The shots in the TV studio have a noticeable drop in visual impact.
These scenes set in the Zeta Minor jungle have to be the most eerie and suspenseful in the shows long history.
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DVD Special Features.
"Commentary" - With actors Tom Baker, Elisabeth Sladen and Prentis Hancock, producer Philip Hinchcliffe.
"A Darker Side" - a 25 minute "making of" feature. With producer Philip Hinchcliffe, writer Louis Marks, designer Roger Murray-Leach, director David Maloney, actors Tom Baker, Elisabeth Sladen and Prentis Hancock.
"Planetary Performance" -(13 minutes) A look at the making of the story from an actor's perspective. With actors Tom Baker, Elisabeth Sladen, Prentis Hancock, Tony McEwan and Graham Weston.
"Studio Scene" - the only surviving behind-the-scenes footage from the story.
"Continuities" - continuity announcements and repeat trailer.
"Photo Gallery" - production, design and publicity photos from the story.
"Coming Soon" trailer.
"Easter Egg".
~~~~
Trivia:~ Ello, ello, ello what's all this then? Doctors aboard the USS Enterprise,well yes, kind of, check this out.
In the Star Trek: The Next Generation episode The Neutral Zone, as Dianna Troi helps a woman from the past search for living family members the computer screen flashes up a family tree with the names William Hartnell, Patrick Troughton, Jon Pertwee, Tom Baker, Peter Davison, Colin Baker.
Maybe some Trek writers were closet Whovians?
As the BBC showed this story, ITV were showing the much more expensive; "Space 1999", but it was Doctor Who that won the ratings battle.
Airdate:~ 27/9/75-18/10/75. |
Dr. Who at its finest
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| Review Date: January 25, 2008 |
| Reviewer: Mark T. Mccullough, Raleigh, NC USA |
Dr. Who was in its golden age when PLANET OF EVIL was broadcast in the mid-70s. Tom Baker had assumed his iconic role as the good Doctor and, now in his second season, he was really on form. PLANET OF EVIL was one of those great Dr. Who stories which was haunting, scary, well acted, well written, well produced and well realized. It was in short the classic hide behind the sofa story.
The Doctor and Sarah have materialized on Zeta Minor at the edge of the known universe. They arrive to find the skeletal remains of a human; all the life having been sucked out of him. Of course, the Doctor and Sarah are blamed. As it turns out, Zeta Minor is something of a gateway between the universes of matter and anti-matter. The creature responsible for sucking the lives out of people is something of a hybrid creature which lives in an abyss between the two universes and who is attacking people it seems because a researcher is intent on removing hybrid crystals from the planet for use as fuel in the human colonies. The Doctor returns the crystals, makes the creature happy and all is well again.
This episode is fantastic for anyone, hard core fan and casual observer alike. The BBC effects department did a fantastic job on the jungle for this story (it was done entirely in studio!). The story also featured three of the best guest actors in the series' history, Prentice Hancock as Commander Salamar, Frederick Jaeger as Sorenson and Ewan Solon as Vishinsky. I don't give 5-star ratings lightly - get this DVD! |
Another story from Tom Baker's second season.
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| Review Date: May 21, 2008 |
| Reviewer: Dark Star-The Other One, The Bus To Never Ever Land |
| Inspired by both The Forbidden Planet and a little Dr Jekyll and Mr Hyde mixed in, this is one fun story. The TARDIS receives a distress call and lands on Zeta Minor. Unfortunately, the Doctor and Sarah arrive to find dead bodies of a science team just as the rescue ship arrives. So both are arrested as the murderers. The backgounds used in this story are very cool looking! While they're in custody, more murders begin to happen. This really is a good story and is highly recommended for everyone. |
"We buy our privilege to experiment at the cost of total responsibility."
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| Review Date: March 7, 2008 |
| Reviewer: Crazy Fox, Chicago, IL USA |
In this compelling "Doctor Who" adventure at the edge of the known universe we have a perfect example of this show's gift for flirting with mediocrity only to come out shining. "Planet of Evil"--even the title sounds like a bad direct-to-video B movie. But don't let that fool you. Many a plot element shows visible traces of influence from prior tales in the genre, most noticeably "Doctor Jeckyll and Mister Hyde"--elements that with the slightest mishandling could end up as trite, corny, plagiaristic, and, well, plain dull. But worry not. They are carefully and subtly invoked, reworked, and integrated into a thrillingly original and well-written story with consummate creativity and flair, not to mention a bit of the alchemist's touch for turning lead into gold.
The story is given quite a bit of depth and atmosphere by its convincingly rendered bizarre setting: Zeta Minor, a dangerously remote planet on the furthest fringes of the known universe as of the 37000's AD, a spookily surreal jungle world that makes Yoda's Dagobah look like your average backyard garden in comparison, and right in the midst of this lies an abyss linking our familiar cosmos of matter and being with one of antimatter and non-being. Something not to be trifled with lightly, which is of course just what happens, setting the story in motion. Civilization has exhausted its energy sources and is near collapse, and so a geological expedition led by a certain Professor Sorenson has come to this uncanny place in hopes of harnessing the supposedly limitless power of antimatter, enraging a mostly invisible but monstrous being from the other side and poisoning Sorenson himself in the process. And into this devolving disaster are dragged both a military rescue ship and (of course) the Doctor and Sarah Jane in the Tardis.
Here again as is often the case the writers for "Doctor Who" show an unusual talent for painting the portrait of a whole society of the future in all of its complexity with only a few deft lines of dialogue woven unobtrusively and organically into the script. There is also inherent in this adventurous tale an understated but definite ecological fable examining the responsibilities of the scientific enterprise in a manner delightfully neither preachy nor burdensome. Sorenson himself is the very archetype of the obsessed mad scientist, but what could have been a tired stock character is brilliantly enlivened and fleshed out by fine acting of the very first order. This is mostly true of the rest of the supporting cast as well: the stern but increasingly unhinged commander of the rescue ship, his quietly professional but compassionate second-in-command, and the guy always grumbling on the job. As for the main character, Tom Baker is in his heyday here as the Doctor, juggling humor and seriousness perfectly and sucker-punching a man without giving the impression of violence, and his rapport with Elisabeth Sladen as Sarah Jane is also at its peak--the wittily barbed yet friendly banter between them throughout the story is priceless. Finally, special effects are never a deciding factor in "Doctor Who" but the semi-invisible antimatter creatures and the make-up for the mutated version of Sorenson are cleverly rendered through good old fashioned professional craftsmanship without the benefit of CGI and hold up remarkably well still; as for the spaceship model, well, okay, you can tell they tried.
This is not a pivotal tale. Nobody regenerates, no companion joins or departs, there are no Dalek invasions nor revelations of Gallifrey. But in a way that's all for the better. Instead, "Planet of Evil" is a stellar example of just how enjoyable and entertaining "Doctor Who" can typically and reliably be on a regular basis. |
doctor who planet of evil
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| Review Date: April 29, 2008 |
| Reviewer: Paul Jutras, Florida, USA |
| one of the finest doctor who with an wonderful set of special effects and set that takes the doctor and sarah in a world unlike they had ever been before in the series. A must for all Tom Baker fans. |
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